It offers no threshold control – just input and output dials, with the amount of compression decided by the input level. Sound-wise, the 1176 Peak Limiter can be many things, but it is probably best known for the energy and high-class grit it bestows, a musically-pleasing pushing of the tone in the lower mids.
Who originally made the 1176?
Bill Putnam
The 1176 Peak Limiter is a dynamic range compressor designed by Bill Putnam and introduced by UREI in 1967. Derived from the 175 and 176 tube compressors, it marked the transition from vacuum tubes to solid-state technology.
How do I turn off 1176?
Probably the most distorted sound you’ll get out of the 1176LN is in “All-Button” mode, with attack and release set to their fastest times. By simply backing off on the Input, Attack or Release controls, you can lessen the effect.
How do you calibrate an 1176?
Connect the oscillator to the 1176 input and connect the output of the 1176 to a device with an accurate VU meter such as a console’s input channel. Set the 1176’s “Bypass” switch to the off position. Set the 1176’s Output pot to the 12 o’clock position.
What is a 1176 compressor?
The 1176 is a “feedback” compressor. The signal goes through the input stage, via the line input transformer, which has a big impact on the sound. From there, the signal is routed to the top of a FET, which is being used as a variable voltage resistor. Universal Audio engineers bench testing the 1176.
Is the 1176 A FET compressor?
But know this: The designation between FET and VCA matters, because of the one of the most famous, widely used compressors of all time is an FET compressor—the previously mentioned UREI 1176. FET compressors like the 1176 are capable of exceedingly fast attack times, though not without color.
Is the 1176 program dependent?
The attack and release are program dependent, as is the ratio. The 1176 will faithfully compress or limit at the selected ratio for transients, but the ratio will always increase a bit after the transient. This is true for any of the 1176’s ratio settings, and is part of the 1176’s sound.
How does the 1176 work?
How It Works. The 1176 is a “feedback” compressor. The signal goes through the input stage, via the line input transformer, which has a big impact on the sound. From there, the signal is routed to the top of a FET, which is being used as a variable voltage resistor.
Is 1176 a FET compressor?
What is the difference between the Rev E and Rev e-1176ae?
The Rev E “Blackface” covers the early ’70s Brad Plunkett “LN” (Low Noise) era, with variations including a more linear compression response, transistor gain amplification, and a change to the program dependence. The 1176AE provides UA’s rare 1176 40th Anniversary Edition, complete with exclusive mods — including its lower 2:1 compression ratio.
How do I use an 1176?
Using an 1176 is a study in simplicity. Input simultaneously sets compression threshold and the level of the signal entering the 1176; Output sets the final signal level. Attack sets the time it takes the 1176 to respond to incoming signal, while Release sets the time it takes the 1176 to return to its initial level.
What is the 1176 Classic limiter plug-in collection?
The 1176 Classic Limiter Plug-In Collection provides three distinct 1176 revisions, representing over 40 years of design iterations to the original 1176. The Rev A “Bluestripe” represents the original Putnam FET limiter design, complete with its higher distortion and unique FET gain amplifier characteristics.
What’s new in the UA 1176 Classic limiter collection?
Upon its release in 2001, UA’s first 1176 plug‑in single‑handedly launched our UAD platform. Extensive end‑to‑end circuit modeling in 2013 captured even more sonic nuance. Now with updated graphics and additional controls, the 1176 Classic Limiter Collection continues its legacy of analog modeling excellence.
